‘To say this a terrific debut novel is really too mild’ – Stephen King
I first read Sharp Objects after reading Gone Girl, due to the hype the film adaptation generated. Gillian Flynn’s writing introduced me to a style of thriller I now seek out by other authors too such as Paula Hawkins, Peter James and of course, more Stephen King.
Sharp Objects is the shortest of Flynn’s three novels, but is by far my favourite. I’ve only owned a copy of Sharp Objects for a few years and yet I’ve already reread it around 4 or 5 times.*
*Rereading novels is incredibly rare for me.
Sharp Objects is about a journalist called Camille Preaker, who is tasked with returning to the town where she grew up to uncover the mystery behind the murder of two young girls. Camille has barely spoken to her neurotic, hypochondriac mother in years, but on returning to the town, finds herself reliving the psychological scars of her past in order to uncover the truth about the girls’ murders.
Warning: Sharp Objects, as one may be able to discern from the title and some book covers, deals with sensitive issues such as self-harm, abuse, and emotionally manipulative behaviour. If these are issues that may distress you, this is probably not the book for you.
I thought the pacing was good; on the shorter side, at 321 pages long, it means time is used efficiently. Flynn doesn’t write unnecessarily lengthy scenes and what is included adds to the story – both Camille’s own journey of recovery as well as the murder mystery.
I love the build-up and climax of this book, and every discovery Camille made was thrilling to me – even when I reread the novel now, I still get excited when the crucial plot points are revealed.
Furthermore, I empathise with the plight of Camille: a journalist struggling with the use of self-harm as a coping mechanism to combat the traumas placed on her as a child. I want to be a “proper” writer or journalist someday, and although I was never traumatised as a child, I understand the mindset of someone who uses self-injury to cope.
However, speaking of journalism, I wasn’t keen on the extracts of Camille’s articles included within the book. Flynn worked as a feature-writer for more than 15 years, and was still working as a journalist while writing Sharp Objects. Yet to me, when journalistic pieces are added into a novel, it never reads quite right because the two forms are so jarringly different.
Overall, I thoroughly liked the intriguing and disturbing story of Sharp Objects, the complex female characters and the topics the book draws attention to. If you liked Gone Girl, and want to be chilled by Flynn some more, I recommend Sharp Objects!