Prince Caspian is about the four Pevensie children, who return to Narnia to help Prince Caspian (played by Ben Barnes) in his struggle with for the throne against his corrupt uncle, King Miraz (played by Sergio Castellitto).
I think Prince Caspian is a good sequel; I liked the fact the actors were older because it gives the characters more maturity and allows the director to explore darker themes, in a similar way to the Harry Potter films. Of course, The Philosopher’s Stone and The Chamber of Secrets were good films, but by The Prisoner of Azkaban, there was more development, a higher sense of threat and you knew the characters could be tested more – which makes for a more interesting experience as an older viewer.
In addition, I found it easier to engage with all four main characters: Lucy Pevensie (Georgie Henley), Edmund Pevensie (Skandar Keynes), Susan Pevensie (Anna Popplewell) and Peter Pevensie (William Moseley) because they’ve all grown up, whereas in the first film, I always preferred Peter and Susan, as opposed to the more childish Edmund and Lucy.
I particularly appreciated the growth of Edmund’s character; he steps up and makes careful decisions, learning from his previous mistakes in Narnia, highlighting the change from his weedy and foolish character from The Lion, The Witch and The Wardrobe.
However, I’m not sure how I feel about the eponymous Prince Caspian – despite the film being titled after him, it still felt like Prince Caspian was still more about the Pevensies, and Prince Caspian was just a “tag along”. Although, I did like the suggestion that he and Susan liked each other, and the competitive rivalry created between Peter and Caspian – this added for comic relief in more serious moments of battles and politics. Eddie Izzard’s Reepicheep also added humour.
Of course, it wouldn’t be The Chronicles of Narnia without Aslan, and Liam Neeson reprises the role to bestow more wisdom on the children. I also love the theme music – you know something great is going to happen when the score begins to play.
When I talked about The Lion, The Witch and The Wardrobe, I discussed some Christian themes from the first film, so it seems only fitting to do that here too. What struck me was Lucy’s fervent faith in Aslan (symbolising a Christian’s belief in God), even when some of her siblings begin to doubt and follow their own ways. This is developed further by The Voyage of the Dawn Treader (2010), as it is just Edmund and Lucy who travel to Narnia because Susan and Peter have become “too old” for the world of Narnia.
I recommend both The Lion, The Witch and The Wardrobe and Prince Caspian as good family-friendly films, great for watching at Christmas time.